Films about the afterlife and survival of bodies. Industrial Synth compiles images of death and obsolescence that lend pop culture and its (digital) media their paradoxical vitality. Towards the Sun describes an idiosyncratic tour of the National Museum in Beirut and encounters with its exhibits. The Violence of a Civilization without Secrets reconstructs the dispossession of the prehistoric “Kennewick Man” by American archaeologists: a study in indigenous sovereignty. Interregnum reflects the afterlife of notorious national leaders in the collective rituals of their former subjects. Impressions for a Light and Sound Machine is a real physical test, a proxy attack on the body of the film. 

SETH PRICE, Industrial Synth, US 2000-2001, Farbe, digital, 16'30'' (Engl. OF)

NOUR OUAYDA, Nahwa Al Shams [Towards The Sun], LB 2019, Farbe, digital, 17'30'' (Arab. OF, Engl. UT)

ADAM KHALIL & ZACK KHALIL, The Violence Of A Civilization Without Secrets, US 2017, Farbe, digital, 10' (Engl. OF)

ADRIAN PACI, Interregnum, AL 2017, Farbe, digital, 17'30'' (o. D.)

COLECTIVO LOS INGRÁVIDOS, Impresiones Para Una Máquina De Luz Y Sonido [Impressions For A Light And Sound Machine], MX 2017, s/w, digital, 7' (Span. OF, Engl. UT)